bachtrack.com – Behemoth Dances Performance

by David Truslove

It was the Anvil’s turn on Sunday night to host the Moscow State Symphony Orchestra as part of their UK tour under their Musical Director Pavel Kogan. Kick-starting the evening was a new work by BBC Radio 3 broadcaster and musicologist Stephen Johnson – Behemoth Dances – which received its UK première last week at the Cadogan Hall.

Read More…

theartsdesk.com – Behemoth Dances Performance

theartsdesk.com – Behemoth Dances Performance

by Richard Bratby

Behemoth Dances. Who dances? You know, Behemoth, the huge demonic black cat who cakewalks through Stalin’s Moscow in Bulgakov’s The Master and Margarita spreading mayhem and magic; the spirit – as quoted by Bulgakov, and taken by Stephen Johnson as a sort of motto for his new orchestral work – “that always wills evil, but always does good”. A sardonic fanfare announces his appearance, before the orchestra whizzes away on a bustling, bristling spree. Woodwinds squeal and skirl, the surface glitters, and a piano throws in a few deadpan comments.

Read More…

Birmingham Post – Behemoth Dances Performance

by Christopher Morley

Stephen Johnson is a much respected presenter and writer about music. As we discovered in Saturday’s concert from the remarkable Moscow State Symphony Orchestra he is also an accomplished composer. Behemoth Dances’ bristling energy was generously conveyed by the MSSO under Pavel Kogan’s empowering baton.

Read More…

classicalsource.com – Behemoth Dances Performance

by Colin Anderson

As part of the Zurich International Series, the Moscow State Symphony Orchestra and long-standing music director Pavel Kogan arrived at Cadogan Hall and launched straight into a UK premiere, Behemoth Dances by Stephen Johnson (born 1955), best-known as a writer and broadcaster on music, a familiar voice on BBC Radio 3. If not Johnson’s primary occupation, his interest in composing goes back to his teenage years and has had the tutelage of Alexander Goehr and Robert Simpson. Behemoth Dances is “named after Bulgakov’s magnificent cat-demon Behemoth [from the novel, The Master and Margerita], who wreaks such havoc in Stalin’s Russia, yet whose pranks prove to be strangely redemptive for a few privileged souls.”

Read More…